A Character Analysis of Kerima Tuvera’s The Virgin Essay Essay Example

?A Character Analysis of Kerima Tuvera’s The Virgin Essay Paper Introduction Through the usage of theories based on psychological science and personality, the characters in The Virgin will be analysed in this essay to demo that there was development. To make this essay, I did extended research on the types of theories that were drifting approximately on the Internet such as the Psychoanalytic Theory of Freud. I besides did in-depth research on the types of characters in literature to assist with apprehension who the characters were and what they brought to the narrative. A few illustrations would be calculating out who the supporter or foil were in the narrative. 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However, how do we cognize that the narrative is in the 3rd individual limited omniscient? We know that the narrative is in the 3rd individual as the text refers to Miss Mijares as ‘she’ , the Carpenter as ‘he’ and so forth but neer ‘I said’ . It is limited because it is merely in Miss Mijares’ position on events. We see this throughout the full narrative but an illustration of this would be in the 2nd paragraph where it says, ‘Miss Mijares thought how she could easy hold said, Please delay for me, or Will you wait for me? But old ages of working for the arrangement subdivision had dulled the borders of her inherent aptitude for courtesy. ( Polotan ) ’ Finally, it is all-knowing because as we know information about Miss Mijares that the other characters do non. We can see this in paragraph 6 where we find out that whenever she watches films ; ‘her ain fingers stole unconsciously to her unbruised lips ( Polotan ) ’ . That is a personal experience and so non many, if any, of the characters know about this but we do. When reading the narrative, you find that there is a batch of development from Miss Mijares. Normally you find that, within the confines of the Placement Office, she is really cold and impatient with the people who she interviews. We can see this in paragraph 3 where it says, ‘When she talked with the idle across her desk, inquiring them the cursing inquiries that completed their humiliation†¦she was filled with an restlessness she could non understand ( Polotan ) ’ every bit good as experiencing somewhat disgusted by them as she ‘would turn away to touch the delicate border of the hankie she wore on her chest. ( Polotan ) ’ We find that she has a instead Authoritarian Personality, which was proposed by Adorno and many others. This seems to instead suit her as people with this type of personality would be ‘hostile to those who are of inferior status’ ( NcLeod ) , therefore her coldness towards the lower category, upholding traditional values, such as her wanting to happen love, every bit good as regard for authorization figures, wh ich we can see in Paragraph 46 ‘â€Å"Your lives are our concern here, † she shouted ( Polotan ) ’ . However, when she comes back from her tiffin, she no longer sees him as some cat in the Placement Office. Miss Mijares starts to see little inside informations about him such as his ‘big, strong carpuss ( Polotan ) ’ or the fact that she glorifies the bird in his manus to be a ‘dove’ . On the impudent side, when her subconscious realises this, she goes back to her Authoritarian Personality to set him back in his topographic point by talking in English. This personality, on the other manus, does non go on and seems to be some kind of defense mechanism against projecting what she genuinely feels as she persuades Ato to give the Carpenter an excess half peso alternatively of dropping the topic on wage. From Freud’s survey on self-importance defense mechanisms, there are several defense mechanism mechanisms that are available but the 1 that relates the most to Miss Mijares is Repression. ‘Repression is an unconscious mechanism, employed by the self-importance, to maintain disturbing or endangering ideas from become conscious’ ( McLeod, Defense Mechanisms ) . It becomes really evident as the narrative progresses because she appears to take a liking to the Carpenter and one time she finds out the cursing intelligence that ‘his boy died ( Polotan ) ’ ; the boundaries come back up once more and restart her Authoritarian personality. However, this clip, she starts to see the little inside informations that do non do him attractive such as ‘his two front dentitions were widely set apart ( Polotan ) ’ in paragraph 42. After the confrontation about his whereabouts she meets him outside but she is apathetic to him, unlike antecedently when he thanked her for the excess half peso. He takes the same jeepney as her and gets away at the same clip but by the terminal, after he touches her, her defense mechanism falls back down once more and she saw the adult male who was standing in her office inquiring for a occupation and presumptively goes with him and ‘she turned to him ; with frills moistures and wilted, in the dark she turned to him. ( Polotan ) ’ This all relates back to Freud’s thought about the mind. At the beginning of the narrative, we are dealt with the debut of Miss Mijares. We find out that Miss Mijares is a adult female who has neer been with a man-physically or emotionally. This is because we see that ‘there had been other things to do-college to complete, a niece to set through school, a female parent to care for ( Polotan ) ’ . Through this, we can see that it turns back to The Superego. This means that there ‘is control of id’s ( which we will come to subsequently ) urges, particularly those which society forbids, such as sex and aggression. It besides has the map of carrying the self-importance to turn to moralistic ends instead than merely realistic 1s and to endeavor for perfection’ ( McLeod, Id, Ego and Superego ) . However, through holding this Superego, there is the ‘ideal self’ and this ‘is an fanciful image of how you ought to be, and represents calling aspirations, how to handle other people, and how to act as a member of society’ ( McLeod, Id, Ego and Superego ) . We see this in many ways such as how she reacts to the hapless such as when she would touch the hankie after covering with the documents in paragraph 3. Another good illustration of this would be how she reacted to the Carpenter prevarication to her. She saw past her lecherousness for the adult male and her superego made her feel guilt for being so lubricious after a adult male she knew small about. This so goes onto The Ego. The Ego ‘is the determination doing constituent of personality’ and ‘considers societal worlds and norms, etiquette and regulations in make up ones minding how to behave’ ( McLeod, Id, Ego and Superego ) . We do non see much of this but an illustration of this would be in paragraph 11 where a bird paperweight had been put on her desk and she had to remind herself that she was surrounded by people as she laughed and even ‘told herself, who ; acquire a clasp, a clasp, a clasp! ( Polotan ) ’ . However, the 1 that is the most important is the Idaho. It is the ‘impulsive portion of our mind which responds straight and instantly to the instincts’ ( McLeod, Id, Ego and Superego ) . We see this a batch in the narrative, such as in paragraph 6 where we have a gustatory sensation of what Miss Mijares really wants and sometimes even fantasises about. For illustration, ‘in the jeepneys she took to work when a adult male pressed down beside her and through her frock she felt the curve of his thigh’ or ‘her eyes rolling, against her will to the sleeping room door ( Polotan ) ’ . However, the chief 1 that caught our attending was in the concluding few paragraphs. After old ages of denying herself and her Idaho of what she truly wanted, she gave in to the cardinal inherent aptitudes of desiring a adult male as she ‘turned to him’ after he brushed against her. Therefore, we witness Miss Mijares unravel psychologically as she slowly starts to achieve what she has wanted for a long clip. We see her spell from a really prim-proper adult female to a adult female who desires love and want so much that her walls break down and she no longer holds the image she shows to everyone else. She gives in to her cardinal inherent aptitudes. The Carpenter The Carpenter is a character who is really much antonym to who Miss Mijares is. Physically, we can see there is an immediate difference between the two characters. The Carpenter is described as ‘a tall, large adult male ( Polotan ) ’ that is in contrast to Miss Mijares who is described as ‘slight, about bony’ . In add-on to this, he is everything that Miss Mijares seems to be against in her nature. Miss Mijares, in the narrative, puts people in their topographic point when she sees fit every bit good as attempt and give people what they deserve, merely like when she tried to give the Carpenter the excess peso as he was make fulling a four peso slot, while the Carpenter, although does non precisely lie, lies about his place in his life with household. There is the sense that he manipulated her to acquire what he wanted in the terminal, and that was her. This, hence, makes the Carpenter a apposition. He is the anti-hero and adversary. He is the anti-hero because he holds moral values that are against what Miss Mijares is about-she is basically the honest type of person-while the Carpenter readily lied to seek and acquire what he wanted. He is the adversary because he is what blocks Miss Mijares from seeing directly ; he is her obstruction to acquire past. Although he is non a scoundrel, he is able to halt Miss Mijares from seeing consecutive and moving like she normally does. She acts out in a manner that is non usual for her as she looked after her female parent ; she got through college and helped with her niece to set her through school. However, the Carpenter is non married to the female parent of his boy, a college alumnus or salvaging up money to set his kid through school. Hence, he is a apposition. Decision In decision, psychological science played a major function in how the characters were developed. By utilizing Freud’s analysis and his return on psychological science, every bit good as other theories based on it, we can see how the character has developed psychologically-especially with Miss Mijares. We see how her personality alterations and walls bead as we progress through the narrative as she starts to crave after the Carpenter. Meanwhile, the Carpenter is to a great extent based on character types and how he affected Miss Mijares as that character. Therefore, we were able to see how the characters had developed in the short narrative. Plants Cited McLeod, Saul. Defense Mechanisms. 2008. 29 January 2015. — . Id, Ego and Superego. 2008. 23 January 2015. NcLeod, Saul. Theories of Personality. 2014. 25 January 2015. Polotan, Kerima. The Virgin ( From The Likhaan Anthology of Philippine Literature in English ) . Quezon City: University of the Philippines Press, 2002.